Ild, blod og metal formidles forbilledligt igennem scenariets episke kampkort, der fungerer som en effektiv inspiration til at skabe farverig action. Spillerne hujer, laver håndtegn, spiller luftguitar og nedlægger totalt overdrevne monstre, mens den frustrerende og nedladende fortællerstemme sætter fortællingens scener og danner distance.

Fire, blood, and metal are communicated in an exemplary way through the scenario's epic battlecards which serve as an effective inspiration to create colourful action. The players cheer, make hand gestures, play air guitar and destroy over-the-top monsters while the exasperating and condescending voice of the narrator sets the scenes and creates distance.

At skrive et metalscenarie uden musikere og bands, og i stedet fokusere på genrens æstetik og fortælling, er et satans godt greb om luftguitaren. Dommerne er totalt charmerede over denne medrivende over-the-top-kærlighedserklæring, hvor man uden problemer kan give den totalt djævlehorn, hvad enten man normalt er til Manowar eller Taylor Swift.

Writing a metal scenario without musicians and bands, instead focusing on the aesthetics and narrative of the genre, is a damn good riff on the air guitar. The jury is thoroughly charmed by this captivating, over-the-top declaration of love in which everyone can throw the horns, regardless of whether you are normally into Manowar or Taylor Swift.