Vasen no. 30, Jammerbugt county, near the Limfjord, Denmark.

Zenia is dead, but nobody knows that - maybe she doesn’t even really know it herself. She is only 13 years old. The unspeakable has happened out here. Day after day goes by, and nobody intervenes.

She wants help. She screams, but nobody hears her. Nobody except for a retired social worker who for the first time in her life makes contact with that which lies beyond.

We’re in the reclaimed land surrounding the fjord. On the vase, as the old dam is called. Out here one can find the cheapest houses in the area, where the prop- erties are filled with car wrecks, broken-down dinghies, and eel traps entangled in orange fishing buoys.

Vasen Road is a realistic ghost story for four players and one Game Master. It plays out in short individual scenes, with the threads connecting each scene being up to the players. The players will play a number of roles inside of, and relating to, a family where the most horrible events have taken place. These oc- currences will never actually be described in detail.

Vasen Road is inspired by real-life horrors in Tønder, Mou, Amstetten and other rural locales where unspeakable acts are committed behind closed curtains, far from the attention of the authorities.

Vasen nr. 30, Jammerbugt Kommune, tæt ved Limfjorden.

Zenia er død, men det er der ingen, der ved – knap nok hende selv. Kun 13 år gammel. Det usigelige er sket herude. Dag efter dag går, hvor ingen griber ind.

Hun vil have hjælp. Skriger, men ingen hører hende.

Ikke før en pensioneret socialrådgiver for første gang i sit liv får kontakt til det hinsides

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Vi er i det inddæmmede land ud til Limfjorden. På Vasen, som den gamle dæmning kaldes. Herude ligger kommunens billigste huse, hvor haverne rummer bilvrag, hullede joller og åleruser viklet ind i orange fiskebøjer.

En socialrealistisk spøgelseshistorie for fire spillere og en spilleder, der udspiller sig i små separate kapitler, hvor mellemregningerne er op til spillerne. Her spiller de en række forskellige roller i og omkring en familie, hvor det forfærdelige er sket – men uden at selve gerningen bliver beskrevet i detaljer.

Vasen er inspireret af virkelighedens rædsler i Tønder, Mou, Amstetten og andre udkantsteder, hvor gerninger er begået bag nedrullede gardiner og langt fra myndighedernes søgelys.