Peter Brichs
Spel
Utmärkelser
Fastaval - Otto Under the Sea (2019)
The Labyrinth of the Full Moon: Vinnare, Det Gyldne Æg
Fastaval: Otto for folket (2023)
Tugt: Nominerad, Juryens Specialpris
Spillerne kan slå sig løs i ubehageligheder uden at frygte at gå over andres grænser. For stopklodsen er hele tiden tydelig i rummet og giver mulighed for at klippe, når det bliver for meget. På den måde deles kontrollen uden, at fortællingens rytme brydes.
The players can revel in unpleasantries without the fear of crossing a boundary since the stop block is always right there in the room with them, allowing for each and every player to stop the scene if it gets out of hand. In that way the players share control without ever breaking the flow of the story.
The players can revel in unpleasantries without the fear of crossing a boundary since the stop block is always right there in the room with them, allowing for each and every player to stop the scene if it gets out of hand. In that way the players share control without ever breaking the flow of the story.
Arrangörsposter
Fastaval | (2013) | Brætspilsottodommer |
Fastaval | (2014) | Brætspilsottodommer |
Fastaval - Dia de los Fastos | (2015) | Kommunikation |
Fastaval | (2016) | Kommunikation |
Fastaval - Mad Science | (2017) | Kommunikation |
Fastaval - Otto i Eventyrland | (2018) | Fotograf |
Aarhus Brætspilsfestival '23 | (2023) | Talk - Papstinenser fejrer afsnit nr. 200 |
Fastaval - Otto & jagten på den gyldne pingvin | (2024) | Scenarie skrivning konkurrence medarrangør |
Fastaval - Jurassic Otto - An Adventure into the Ancestral Ties of Otto | (2025) | Scenarieskrivningskonkurrence |
Artiklar
Redaktionsruta | Redaktør | Nr. 1 (Efterår 2012) | Brikker & Bræt | |
Chefen for det hele | Skribent | Sida 50 | Nr. 1 (Efterår 2012) | Brikker & Bræt |
Redaktionsruta | Redaktør | Nr. 3 (Efterår 2013) | Brikker & Bræt | |
Manden Bag Magic | Skribent | Sida 44 | Nr. 3 (Efterår 2013) | Brikker & Bræt |
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